Author Topic: 1940 Paris  (Read 1014 times)

0 Members and 1 Guest are viewing this topic.

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
1940 Paris
« on: April 25, 2008, 12:05:33 AM »
http://www.time.com/time/arts/article/0,8599,1733969,00.html

Quote
The photographs from the early 1940s show Paris as sunny, airy, bursting with color. Its inhabitants appear carefree, content and refreshingly unaware of their proclivity for looking tr?s chic. It's all very much at odds with the prevailing image of the French capital suffering and smoldering under the yoke of its Nazi occupiers. Indeed, that very dissonance has made the current photo exhibit "Parisians Under the Occupation" one of the city's most controversial cultural events of late. Was life in Nazi-controlled Paris really as idyllic as these pictures suggest?




What is the importance of old propaganda?

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #1 on: April 25, 2008, 12:18:51 AM »
Quote
When the German army occupied France in 1939, Picasso defiantly stood his ground despite being the leading 'degenerate' artist in the world. German officers sometimes called at his studio and interrogated him about his activities and about rumours of him being Jewish but he was never hounded or arrested and his work was never confiscated.

By this time perhaps Picasso was no longer seen as a threat. But as a foreigner with Communist affiliations and as the painter of Guernica, he was in a very precarious position.

This begs the question, why did the Germans not put an end to Picasso when they had an ideal opportunity to do so ?


http://web.org.uk/picasso/occupation.html

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #2 on: April 25, 2008, 12:29:51 AM »
Quote

The Train ?s scenario is based on events that actually occurred during the last month of the Nazi Occupation, when Paris railroad workers saved the Mus?e du Jeu de Paume?s collection of modern art. Frankenheimer?and Franklin Cohen and Frank Davis, the film?s writers?invented several action sequences, however, in order to increase the story?s dramatic impact. These scenes, in which irregular combatants use sabotage and cunning to frustrate the German army, link The Train with a number of other war pictures that were made in the early sixties, including The Guns of Navarone (1961), The Counterfeit Traitor (1962) and The Great Escape (1963). But unlike these films, The Train does not idealize its heroes. In fact, it does something quite different by establishing likenesses between the film?s French protagonists and their German adversaries.


http://www.thefilmjournal.com/issue12/thetrain.html


Xavier_Onassis

  • Hero Member
  • *****
  • Posts: 27916
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #3 on: April 25, 2008, 10:03:45 AM »
I imagine that Picasso was not executed because he was too well-known. It also could be that his art was admired by someone high up in the Nazi command.

The Germans were concerned with their image. They went to great lengths to convince the world that their concentration camps were centers of great culture, like Teresenstadt.
« Last Edit: April 25, 2008, 10:05:31 AM by Xavier_Onassis »
"Time flies like an arrow; fruit flies like a banana."

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #4 on: April 26, 2008, 09:30:40 PM »
1940: German troops enter Paris
German troops marched into Paris in the early hours of this morning as French and allied forces retreated.
The enemy met no resistance as it entered the capital, which was declared an open town yesterday by the city's French military governor, General Hering.

French troops withdrew to avoid a violent battle and total destruction of Paris. They are believed to have taken a new line of defence south of the city.

http://news.bbc.co.uk/onthisday/hi/dates/stories/june/14/newsid_4485000/4485727.stm

Adolf Hitler visits Paris with architect Albert Speer (left) June 23, 1940

http://www.historyplace.com/worldwar2/timeline/paris.htm
« Last Edit: April 26, 2008, 09:32:36 PM by Plane »

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #5 on: April 26, 2008, 09:41:33 PM »
He'd miss his grandfather's sense of humour, his affectionate embraces
and most of all, his immeasurable wit.

But beneath his gregarious nature lay uneasiness.

"He was always very anxious -- he was very Jewish in that respect. He
was worried about the future, always pessimistic," recalled Denis.

"He'd had a difficult youth and had the Jewish spirit -- he was always
thinking that things were going to be difficult. But maybe that saved
his life because if he wasn't pessimistic maybe he would've stayed in
Paris and ended up in Auschwitz."

Perhaps his wife possessed a bit of that pessimism, too.

Before she and Alfred fled to Britain, she warned Raymond that if the
situation in Paris became too volatile he and his wife should escape
with their four children into the countryside. She gave him the name of
a woman to contact and wished him luck.

...................................

By the spring of 1943, it had become far too dangerous to stay in Paris,
so Raymond fled with his family, hoping to find refuge with the woman
his mother had recommended.

And when he finally found her, she was only too eager to repay the debt
of gratitude her family owed to the Lindons.

"She was a peasant woman and she was feeding her cows in the courtyard,"
remembered Denis Lindon of the fateful day his family arrived.

"My father opened the gate and said 'My name is Raymond Lindon' and she
dropped her two buckets and ran to him and said 'I've been waiting for
you all my life.' "

"She opened her house to my whole family at the risk of her life," he
remembered, fighting back tears.

"We were saved from being taken by the Germans by a family of French
peasants, who were helpful and generous."

After two years of living in hiding, Denis returned with his family to
Paris at the end of the war. Because they had no home, they moved into
his grandparents' home. Remarkably, much of it was intact because the
Gestapo had set up office there.

http://msn-list.te.verweg.com/2006-August/005829.html

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #6 on: April 26, 2008, 09:43:20 PM »
On September 3, 1939 England and France declared war on Germany. On June 14, 1940 Paris fell to Germany. German occupation began controlling haute couture. During the war, the Germans seriously considered moving the French couture houses to Berlin and re-establishing the seat of haute couture in Berlin. Berlin would then be known as the fashion capital of the world. On September 3, 1940, the United States transferred destroyers to Great Britain. The United States officially entered World War II on December 8, 1941.

Prior to World War II, New York fashion designers made the trek across the Atlantic Ocean to attend the flamboyant and opulent French fashion shows each year. They then returned to the United States and copied the latest Parisian haute couture designs. Once the Germans occupied Paris and the United States stationed battleships in the Atlantic Ocean, the New York designers were cut off from Paris haute couture. In their attempts to design new fashions for the United States market, they concentrated on sportswear. This led to the United States emerging as the sportswear capital of the world.

http://www.vintageblues.com/history4.htm

Plane

  • Hero Member
  • *****
  • Posts: 26993
    • View Profile
  • Liked:
  • Likes Given: 0
Re: 1940 Paris
« Reply #7 on: April 26, 2008, 09:57:25 PM »
Images from illistrator  Arthur Szyk


His incisive wartime cartoons and caricatures filled the pages of American newspapers and magazines, earning him a reputation as a ?one-man army? in the Allied cause. His moving portrayals of Jewish suffering and heroism bespoke a political activism that demanded ?action?not pity.? By 1943, Arthur Szyk had become perhaps America?s leading artistic advocate for Jewish rescue from Nazi Europe.





http://www.ushmm.org/museum/exhibit/online/szyk/intro/93833.htm



[imghttp://www.ushmm.org/museum/exhibit/online/szyk/wartime/images/93865.jpg]http://[/img]



http://www.ushmm.org/museum/exhibit/online/szyk/wartime/93796.htm