Author Topic: The closest thing we had to a Voltaire  (Read 946 times)

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fatman

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The closest thing we had to a Voltaire
« on: April 14, 2007, 02:47:51 PM »
I was surprised at my arrival in the forum the other night not to see this news article:

http://www.latimes.com/la-me-vonnegut12apr12,0,3568530.story?track=mostviewed-homepage

KURT VONNEGUT: 1922-2007
His popular novels blended social criticism, dark humor
By Elaine Woo, Times Staff Writer
April 12, 2007


 
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Kurt Vonnegut: 1922-2007
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Kurt Vonnegut, an American cultural hero celebrated for his wry, loonily imaginative commentary on war, apocalypse, technology, materialism and other afflictions in "Slaughterhouse-Five" and other novels, has died. He was 84.

One of the last of a generation of great American novelists of World War II, Vonnegut died Wednesday night in New York City.
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FOR THE RECORD:
Kurt Vonnegut photos: In the obituary of author Kurt Vonnegut in some editions of Thursday's Section A, two of the photos were incorrectly credited. The photo of Vonnegut sitting on a park bench was taken by Jennifer S. Altman for The Times, not by Diane Bondareff of the Associated Press; the photo of the author with his wife was taken by Bondareff, not by Altman. —

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Vonnegut suffered brain injuries in a fall several weeks ago, said his wife, photographer Jill Krementz. He had homes in Manhattan and Sagaponack, N.Y.

"There was never a kinder and, at the same time, wittier writer to be with personally," author Tom Wolfe, a friend and admirer of Vonnegut's, told The Times. "He was just a gem in that respect. And as a writer, I guess he's the closest thing we had to a Voltaire. He could be extremely funny, but there was a vein of iron always underneath it, which made him quite remarkable.

"He was never funny just to be funny," Wolfe added.

An obscure science fiction writer for two decades before earning mainstream acclaim in 1969 with "Slaughterhouse-Five," Vonnegut was an American original, often compared to Mark Twain for a vision that combined social criticism, wildly black humor and a call to basic human decency. He was, novelist Jay MacInerny once said, "a satirist with a heart, a moralist with a whoopee cushion."

Although he was disdained by some critics who thought his work was too popular and accessible, his fiction inspired volumes of scholarly comment as well as websites maintained by young fans who have helped keep all 14 of his novels in print over a 50-year career. Five of his novels have made the leap into films.

He is "together with John Hawkes and Gunter Grass … the most stubbornly imaginative" of writers, novelist John Irving once wrote of Vonnegut. "He is not anybody else, or even a version of anybody else, and he is a writer with a cause."

His novels, which include "The Sirens of Titan," "Cat's Cradle," "Mother Night" and "Breakfast of Champions," introduced a revolving cast of odd characters, from the downtrodden visionary Billy Pilgrim to Kilgore Trout, the unsuccessful writer who was Vonnegut's alter ego.

Vonnegut was also an essayist, playwright and short-story writer, whose shorter pieces were collected in such volumes as "Welcome to the Monkey House" (1968), "Wampeters, Foma & Granfalloons" (1974) and "Fates Worse Than Death: An Autobiographical Collage of the 1980s" (1991).

"Slaughterhouse-Five" was a book he tried but failed to write for 25 years. An agile mix of fantasy and Vonnegut's World War II experiences, it features time traveler Pilgrim who, like Vonnegut, survived the Allied firebombing of Dresden.

Unorthodox in structure and patently antiwar, the novel resonated with a rebellious younger generation. Vonnegut became an icon of the countercultural 1970s and his book became a milestone of postmodern American literature, unequaled in force or artistry by any of his later novels.

"He writes about the most excruciatingly painful things," Michael Crichton observed in a review of "Slaughterhouse-Five" for the New Republic. "His novels have attacked our deepest fears of automation and the bomb, our deepest political guilts, our fiercest hatreds and loves. Nobody else writes books on these subjects; they are inaccessible to normal novelistic approaches."

He made no pretense of his intentions: He was a public writer — one who directly addressed some of the most vexing issues of his day.

"My motives are political," he once told Playboy magazine. "I agree with Stalin and Hitler and Mussolini that the writer should serve his society…. Mainly, I think they should be — and biologically have to be — agents of change."

On another occasion he explained that his goal in writing novels was to "catch people before they become generals and Senators and Presidents" and "poison their minds with humanity. Encourage them to make a better world."



On a personal note, I discovered Kurt Vonnegut my senior year in high school, a man who was a bit before my own time but whose ideas still resonate with me.  I pulled out my copy of Slaughterhouse Five when I heard that he had passed and finished it this morning.  His is a voice that will be missed.

Lanya

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Re: The closest thing we had to a Voltaire
« Reply #1 on: April 14, 2007, 03:43:53 PM »
I heard a recording of him reading a bit from Slaughterhouse Five on NPR. 
He said Dresden after the firebombing was like the moon, a place made of minerals, smelled hot and metalic.  That's an amazing book.   
The first book of his I read was in junior high.  Cat's Cradle.  I loved the word "pissant." 
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The_Professor

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Re: The closest thing we had to a Voltaire
« Reply #2 on: April 14, 2007, 05:42:51 PM »
Vonnegut was an extremely insighful writer. His books combined social commnetary, perceptive reasoming and a dab of science fiction to get his message across. He contributions will be remembered for quite some time.

Thank you for the article.

modestyblase

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Re: The closest thing we had to a Voltaire
« Reply #3 on: April 14, 2007, 05:47:31 PM »
Vonnegut has the most impact on me of any other writer(that is saying alot, my library is massive).
I first became acquainted with his work when we read Harrison Bergeron in high school english. I spent my paycheck at Barnes and Noble buying everything they had.
Whenever someone dies in Slaughter House Five, "So it goes".
And, with Kurt Vonnegut, so it goes.